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Vivekh as the self-deprecating, relentless Dr.
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Tanya Hope looks pretty but adds little to her character. While Harish Kalyan pulls his weight, for the most part, the film also needed a more dynamic female lead. It is this intermittent superficiality that hampers Dharala Prabhu. On the other hand, the clinic, a more appropriate choice to reflect some sophistication, looks a tad shady. If a lower-middle-class family can afford to run a parlour and house that looks as good, I should probably reconsider my career options. The thread around Prabhu and his relationship with his coach also feels very contrived.Īlso, the film’s production and art design look a bit too sleek for my comfort. (Not to mention, Prabhu-Nidhi relationship begins on shaky ground). Here, Prabhu instead says, “Well, you have told me that you feel safe with me, and also, that you are single.” Or how about when Nidhi says that she earns enough to ensure that they have a comfortable life? However, the charm of these occasional moments don’t translate into sparkling chemistry Kannadasan and Kama (RS Shivaji) share more exciting chemistry than the couple. In another Tamil film, the girl would have been crucified for being an ‘opportunist’. The couple has memorable standalone moments, like when Nidhi takes him along to a wedding because she doesn’t want to go alone and bear the brunt of unnecessary questions. Take the Prabhu-Nidhi (Tanya Hope) relationship. Not all of these tweaks land as effectively as they should though. Even the Prabhu-Kannadasan dynamic has been tweaked to a more involved equation that is almost father-son like, to suit the personas of Harish Kalyan and Vivekh. (They could have avoided the Raja Parambarai angle.) Prabhu’s mother (Anupama Kumar) and grandmother (Sachu) don’t bond over alcohol here, they do over cards. There’s a thorough check on his habits and routine. Kannadasan (Vivekh) doesn’t just find his ‘ Dharala Prabhu’ by accident. Prabhu (Harish Kalyan) begins donating sperm not because he wants ‘pocket money’ like Vicky does, but because he thinks of it as a ‘good deed’. I liked that Krishna Marimuthu and his writers (Subu / Sudharshan Narasimhan) have largely retained the ethos of Vicky Donor, albeit with a South-Indian twist. The film isn’t a frame-by-frame adaptation. During the press meet, he also alleged it was Pawan who had him removed from Gabbar Singh (2012).Producer: Screen Scene Media Entertainment Posani Krishna Murali has played supporting roles in several Pawan Kalyan movies. After coming under attack, Posani told the media that he will file a police complaint against Pawan.
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In response, Posani, who is a staunch supporter and member of YSR Congress Party, went all guns blazing against Pawan at the press conference, triggering a hostile reaction from fans.
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“If you have a problem with me, don’t let my film release but leave the rest of the filmmakers,” Pawan said at a film event last week, while urging the other members of the film fraternity to speak up against “political gangism against the film industry.”Īlso Read | Pawan Kalyan attends Republic pre-release event, reveals Sai Dharam Tej is ‘still in coma’
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He suggested that the government’s policy on the film industry, including the online sales of movie tickets, was being carried out as part of the CM's personal vendetta against him. Pawan had alleged that the AP government was unfairly targeting the Telugu film fraternity. Posani Krishna Murali held the press conference to slam Pawan Kalyan for the latter’s comments on Andhra Pradesh Chief Minister YS Jagan Mohan Reddy.